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What happens when an artist thinks like an ecologist, & software becomes a tool for witnessing planetary change?nJoin media artist Marina Zurkow & Whitney curator Christiane Paul for an intimate conversation about Parting Worlds, Zurkow's landmark exhibition, & herHyundai Terrace Commission at the Whitney Museum of American Art.nIn collaboration with the National Arts Club & its Art & Technology Committee, this is a rare opportunity to hear directly from an artist whose work sits at the intersection of environmental urgency, computational beauty, & speculative futures & from the curator who shapes how institutions understand & present art made with code, data, & systems thinking.nThree software-driven animations anchor this conversation: Mesocosm (Wink, TX) (2012), The Earth Eaters(2025), & The River is a Circle(2025).nBut beyond the screen, Zurkow's toolkit spans animation, generative code, participatory dinners, & bio-based projects each chosen to deepen our understanding of how humans entangle with ecological systems across geological & human timescales.nThe room will include artists, technologists, environmental thinkers, & curious minds hungry to understand how creative practice engages with real-world complexity.nReserve your spot & arrive early. Space is limited.nnFounded in 1898, the National Arts Club is a 501(c)(3) nonprofit with a mission to stimulate, foster, & promote public interest in the arts & to educate the American people in the fine arts.
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